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UNLICENSED INTERNET CAFE WRITING VIDEO SIDES
UNLICENSED INTERNET CAFE

LONDON | ONLINE

OPEN 0:00 TO 23:59

EVERY DAY

THE CHEF

Tristan ‘Stan’ Cross is a professional content chef and internet restaurateur.

He is self-trained in a range of multimedia culinary disciplines, including writer, filmmaker, animator, video editor, web designer and a bunch of other things that full under that amorphous and mortifying umbrella of 'creative'.

For masochistic reasons, he built this website himself. If you're still using Internet Explorer, it likely runs horribly, and you only have yourself to blame.

REVIEWS

"The meme king"
The Guardian

"A writer"
NME

"A writer"
The Metro

"A writer"
The Independent

"A writer"
i-D

"A writer"
The i

"A writer"
Futurism

"A Twitter profile"
Rolling Stone

"Visual artist and friend"
Creative Bloq

"Pub regular"
News Shopper

"Drinker"
Daily Mail

"reasonable to work with"
Oobah Butler

SATISFIED CUSTOMERS

Stan Cross' catering has been served in numerous online pop-ups, including:

BBC
Channel 4
The Guardian
Rolling Stone
WIRED
Tribune
VICE
Dazed
The Face
Huck
Red Bull
Blink Industries
FourFourTwo
ShortList
Comedy Central

Do not hesitate to enquire about specific dietary requirements or off-menu requests. We cater to all.

CONTACT

WE ACCEPT




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WRITING

(20)

A traditional, hearty, Irish stew. Unable to drink in my beloved Skehan’s during coronavirus quarantine, I learned various 3D disciplines to recreate its taste and texture in VR. A cross between that scene in Ratatouille, where the critic takes a solitary bite of his meal and finds himself transported, away from the misery of today, towards leaving his most cherished memories as if they were fresh and anew, and Rupert Pupkin’s nightmare cardboard cut-out basement TV studio.

For WIRED.

(22)

I spent two weeks attempting to overcome my republicanism by attending every funereal mourning ceremony for Her Maj Queen Elizabeth II (R.I.P) that I could.

For Rolling Stone.

(20)

A nutritious truckstop snack. I drove the breadth of the United States in American Truck Simulator, transcending the political bubble (and travel restrictions) to interview the Americans I encountered about the issues that mattered to them as they drove around the long, lonely roads of a virtual representation of their home.

For WIRED.

(17)

Fusion dish. Piping hot wish-fulfilment paired with a cold dose of reality. Football Manager’s scouts brutally assessed our office kickabout and added us as players within their database, to see how our idle daydreams would likely fare in the Premier League.

For Shortlist.

(18)

Mouthwatering taster menu of 16 fresh concepts for original TV shows that don’t yet exist but should (and will), based on the secret formula behind all TV and pitched to Channel 5 and MTV’s hungry-yet-discerning commissioning editors. Bon appetite.

For Shortlist.

(18)

I spent a month – blindly, incompetently, irrationally – investing in crypto-currency and accidentally made a load of profit, then lost it all as soon as I stopped treating it as a laugh, in doing so stumbling upon the recipe for the market’s future collapse.

For Shortlist.

(16)

The Stan Cross signature dish. A steaming hot longread on the eternal years of hurt spent supporting Wales, drizzled in lashings of sugary sentimentality for the first summer in living memory that they weren’t shit. A wildly patriotic account of the tournament, best enjoyed paired with a big swig of ill-advised hopefulness.

For VICE.

FULL TOURNAMENT EDITION
+5,000 extra gushing words

(16)

A five-course mini-essay meal attempting to critique various accepted axioms, ideas and frameworks that seem to dominate and dictate acceptable discussion of mental health.

AI
(23)

Has no capacity for creative self-expression, and we should refuse all efforts to convince us art has been made obsolete by tech. 🌶🌶

For The Guardian.

(19)

Is a myth. They do not exist. 🌶🌶🌶

(22)

Has adopted sardonic nihilism with – and world-weary resignation towards – capitalism to sell us things… and I don’t like it! 🌶

For The Guardian.

(20)

Is a dead end, millennials and zoomers need to put aside cohort resent towards universalism. 🌶

For Tribune.

(19)

Are as much about parents paying for the disadvantage of other children as they are the advantage of their own. 🌶

For Huck.

(17)

Universal provision be treated as an incontrovertible good, regardless of economic outcomes. 🌶🌶

For VICE.

(18)

And a solution to obesity that essentially boils down to: starving the poor. 🌶🌶

For Shortlist.


(17)

Talked to surprisingly funnyman Brian ‘Limond’ Limmy about love, life and art.

For Shortlist.

(19)

A profile of the very great songwriter ahead of her dystopian sci-fi debut album, satirising the surge in brands capitalising on collective health anxieties.

For Dazed.

(19)

Jerkcurb makes surreal music filled with longing for an Americana that doesn’t exist, but you wish could. Was really stoked to be able to profile him, because he rules.

For Dazed.

(19)

Interviewed sadlad troubadour and joyful miserabilist Martin ‘MT’ Hadley, ahead of his extremely good debut album.

For Dazed.

(18)

A collection of mini-essays on a manager who attempted to use football as a means to express a collectivist ideal, and for a decade very nearly succeeded, and then for a decade tragically, heroically failed.

For Shortlist.

(17)

The pilot of the deserves-to-be-commissioned-properly ‘Pints With…’ series, Shortlist’s would-be equivalent to the ‘FT Lunch.’

For Shortlist.

WRITING
SINCE 1991
EDITORIALSHOWREELCOMMERCIAL
EDITORIALSHOWREELCOMMERCIAL

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EDITORIAL
The Great Amazon Heist image
(23)

Co-created, co-wrote, edited and animated a hybrid docu-heist about the retail behemoth Amazon for Channel 4. We went undercover, unearthed an anti-union hiring effort, collected bottles of their delivery drivers' urine and turned it into a best-selling drink on the Amazon Marketplace, racked up an astronomical fine payable to Jeff Bezos and tricked them into finally paying their tax.

★ ★ ★ ★ ★ - The Telegraph

★ ★ ★ ★  - The Guardian

Hedd Wyn: The Space We Leave Behind image
(22)

Wrote, animated and edited a short film for BBC Wales exploring the increasingly folkloric legacy of the pacifist martyr Hedd Wyn, a personal hero of mine.

Ten Years Of Tories image
(19)

I co-wrote, directed and edited a short, celebrating the Noughteens and an entire decade spent living under Tory rule. Starring: Steve Coogan, Josie Long, Lolly Adefope, Liam Williams, Fern Brady, Yanis Varoufakis, Tez Ilyas, Oobah Butler, Ash Sarkar, Owen Jones and the Rhythm Method, with music from Brian Eno(!?)

End Credits image
(23)

Animated and edited a series of videos for the Mall Grab and Real Lies single 'End Credits'.

SHOWREEL
STAN CROSS SHOWREEL
(10-14)

Before content, I was originally trained in cinematography and screenwriting at Royal Holloway University of London. This selection platter is drawn from the narrative short films that came out of that time.

COMMERCIAL

Game
(18)

Produced the creative concept for GAME’s 2018 national TV ad campaign: ‘Trade More, Spend Less’, as part of ShortList Family.

VICE X TWITTER image
(19)

Wrote the scripts for ‘The VICE Guide To Being An Adult’, a series for Twitter’s video service aimed at getting those damn millennials and their younger Gen-Z cohort to understand being alive.

VICE X SKY Q image
(19)

Served up more hot scripted sponcon, copywriting for VICE’s ‘Watch This’ series for Sky Q.



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WEB DESIGN & DEVELOPMENT
(22)

Designed, developed and modelled an interactive 3D staff room in WebGL, which acts as a gateway to a sprawling world of Russian doll minisites, also designed by myself, with additional development work on the backend provided by Matt Megarry, and which received an Awwwards Honorable Mention!

For the production studio Blink Industries.

(22)

Designed, developed and modelled a relaxing interactive post-apocalyptic WebGL dystopia for climate scientist-slash-comedian Matt Winning.

(21)

Designed and developed a notebook-inspired website for Ireland’s premier author Megan Nolan.

(22)

Designed and developed the a procedurally generated galaxy populated by the contents of a CMS, for the music publicity company Revenant Earth.

GRAPHIC DESIGN
Release Energy
(23)

Designed the label and bottle for Release Energy, the best-selling caffeine-free made-from-Amazon-drivers'-urine drink from our show, which ended up getting a truly unexpected amount of coverage in the legitimate design press, including Creative Bloq, Brand New and Fast Company, who did an entire analysis of it as a piece of marketing. It even appeared in Dieline twice, with a full review and as one of their favourite bits of packaging for 2023.

How To Bullsh*t Your Way To Number One
(19)

Designed the covers for Oobah Butler's debut book 'How To Bullshit Your Way To Number One', which has - aptly - gone on to become a USA Today, LA Times and Barnes & Noble #1 Bestseller. And fair play to it.

The Dummy Guide To Comeme
(15)

Two CGI illustrations for DMY's (fka Dummy Mag) feature on the music label Comeme.

MISC
(∞)

Internet remains

(TBA)

One paid Stan Cross commission = one pint for Stan Cross. Sometimes more.





SIDES